Sneaks sounds like a minimalist ESG, bass-driven jams with a sprinkle of a-la-Fall repetition. “Inside Edition” seems like an apology for commercial ambition: “You pay with resistance / just get a commission” as it validates the quest for cash. Her whispery rapping style sounds like secret instructions for a mystical quest. She brushes melody on “Look Like That”, approaching a Stereolab chorus. On”Not My Combination” she gets playful with her inflections around the cavernous bass booms despite its angular moves.
“Pnbj” submits to its dancefloor ambitions with a subdued new wave urgency. This is where Sneaks stretches the potential of her minimalist style, as in the keyboard fugue of “With A Cherry On Top”. She sounds at her most balanced when incorporating spoken-word bridges in between melodies. “Future” sounds exactly like its title, as Sneaks ups the funk ante, recalling classic acts like Parliament and Zapp, but defining her own wave of intimate DIY abstract depictions.
Modernity weighs on Sneaks like Sisyphus’ rolling rock. A serious artist with a lot to say regarding the plight of modern aesthetics. Gradually carving out her space in music’s collective consciousness, I would turn to her music for a study of the tensions between dance, poetry, and live performance.