Ed Atkins at DHC/ART (Montreal, 2017)

The Skinny:
Video installations of Computer-Generated short animated films
Young, white, male characters in a state of desperation
Movie-trailer tropes, action-films camera movements (constant movement), musicals
Satirical look at substance abuse, emotional depletion, existential fear, in the context of consumerism

My take:
Walked into this exhibition after a night of heavy drinking. Could readily identify with the main characters, in various states of destitution, soul crumbling just like the architecture around them. Very funny use of Hollywood tropes to convey emotional despair.

However, showcasing digital-only work, on extremely large screens, is exactly the kind of invasive use of technology the exhibition appears to critique. The Brutalist coldness of the suspended screens, or the large blocks/walls acting as screens in the middle of the gallery space, evoke the very fascism that art is supposed to counter. The experience of watching remains alienating, and individualistic, and the only emotional catharsis is through self-identification, which is the tired Hollywood tactic. Guns, guts, gore, is a refrain we’ve all heard before.

Playing at DHC/ART until September 3
451 & 465, St-Jean Street

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