Sneaks (2019)

The new Sneaks is amazing. Totally moved away from minimal post-punk, and got into subtle, melodic, hip-hop hooks. For fans of M.I.A., Missy Elliot, Santogold. That whispery voice with thumping bass! Play loud!


Porno Glows (2019)

Chicago Basement Punk, reminds me of Desperate Bicycles, that early UK DIY, don’t-give-a-fuck bellowing out attitude, early Mark E. Smith. Thumpy bass-playing by Angelica (pictured)

The Staches – This Lake Is Pointless

The Staches is the millenials’ true punk band. Their haptic laissez-faire and concentrated grooves reflect the evolving consciousness of the new generation discontented workers. The lingering feeling of adolescence well into adulthood permeates their playful and loose sound, leaning close to basic hip-hop and funk than post-punk new-wave.

But the real center is Lise Sutter’s honest vocals. The French accent she uses to deliver diatribes on modern malaise recalls 90’s spoken word (Yarah Bravo, What What and Herbaliser).

Staches is phenomenal, a war cry against melody-happy inexperienced Shangri-la worship hipster suburbanites. It has the propelling explosive sound of Nots with the DIY pop lightness of bubblegum pop, but picked up off the curb.

Hash Redactor

Memphis mainstay buzzards chipping away at the history of unhinged rock n’ roll. Once dubbed, Memphis’ Television, these high-energy players features members of Ex-Cult and Nots. The style is pure 1977, Flesheaters, Stooges, Gun Club, but the consciousness is modern, deadpan, and dead-on. Full-length coming soon on Upset The Rhythm.

The Submissives -“Pining for a Boy”

The Submissives have been concocting perfectly wobbly pop tunes since 2015. Infectious and intriguing, these weirdly strange nuggets of heartbroken love ballads are as addictive and enticing as candy and red licorice at drive-ins. Except that, The Submissives’ take on bubblegum pop actually breaks through the illusory depth of romance. Sweet melodies suddenly turn dissonant, guitar-picking solos burst loud into the mix, and declarations of love become mantras of grief and woe. Put together, their consistent output gives a realistic picture of the ups, downs, and sideway sways of modern love.

Their third release, “Pining for a Boy”, comes with a brand new video.

The Submissives perform live in Montreal, on June 8th, at Casa Del Popolo, come get entranced!

Patsy – “Heathen” (2017)

Candice of Mystic Inane (New Orleans) delivers the one-two ready-or-not punk blast of the early 80’s underground Los Angeles scene. Pop and Hardcore forms merge to prove once again that this is a people culture, and not some speculative sonic experiment. Released by avant-hardcore weirdo label form Spain, La Vida Es Un Mus.

Nots – “Animal/Blackout” (2017)

“Animal” is a new recording of a song from their 2013 demo, before they added synth to their sound. It’s completely zany, KBD/Messthetics, and the addition of Alexandra Eastburn’s keys are droney/improv ambient synth. Reminds me of Urinals’ “I’m A Bug”, or Anorexia’s “Pets”, both “cult” releases proof of the unbridled playful creativity of punk’s beginnings.

“Blackout” is a new song. It appeared on the Live At Goner LP, but this here is a studio recording. The story is ominous, like it could be about alcohol, a lack of electricity, or a plain concussion. The emotional relief of screaming the word “Blackout!” follows other Nots anthems such as “Reactor!”, and “Decadence!”.

Limited to 300 copies, German import, purchase on Discogs, through Slowboy Records.

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